Two little girls named Mary and Harry (Actually, it's Laura) go to Kansas and ride on a horse that has a wagon. A rattle snake comes and bit the horse and the horse got hurt and broke its leg. And the nice guys gave them a lot more horses and they got a cow. They builded a house and the Indians came and when the dad was riding on the horse, he fell off the horse and coyotes started to get the daddy. And when they were on their way, the dog was swimming in the water and they lost their dog. They thought their dog was dead and they didn't know where the dog was and then the dog came back. I loved it so much when the dog came back. There were some sad parts. Then the dad gave the little girls new shoes and Laura wanted to get the other girl's shoes messy. And more Indians went in the house and the mother shouted, "Indians!" and that was it.
Review:
I felt sad and happy because there were some sad parts in it that made me really sad and scared. And happy. My favorite characters were the two little girls, Mary and Laura because I liked them so much. I want to watch it again. Can you get it for me from Netflix, Mom?
Star Rating out of 5
Gracie: SIX!
THE FOX THEATRE IN ATLANTA FROM JUNE 15-20 ONLY!
“We are delighted to present LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL,” states Christopher B. Manos, Producer of Theater of the Stars. “This exciting new show will bring back fond memories for so many of us who loved the books and the hit television series. Having the marvelous actress Melissa Gilbert performing in the role of Ma will add even more fun to the experience. This entertaining show is appropriate for all ages, so we encourage you to bring your families and friends and neighbors to join us at the Fabulous Fox Theatre from June 15-20.”
LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL, a new musical based on the beloved Laura Ingalls Wilder series of classic American books, will arrive on June 15 at the Fox Theatre in Atlanta for a one week engagement. Melissa Gilbert, who rose to fame as a child playing ‘Laura’ in the hugely successful NBC television series “Little House on the Prairie” during the 1970’s, now continues her legacy ‘on the prairie’ by taking on the role of Ma. LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL will also star Steve Blanchard as Pa and Kara Lindsay as Laura. Tickets for the Atlanta engagement of LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL are on sale now and may be purchased by calling Ticketmaster at 800-982-2787, at www.ticketmaster.com, or by visiting the Fox Theatre box office. Group of 10 or more can get special rates by calling the Fox Group Sales Office at 404-881-2000.
LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL with Gilbert, Blanchard and Lindsay, had its world premiere production in August, 2008 at the Guthrie Theatre in Minneapolis, where it shattered all box-office records and sold-out 12 consecutive weeks. Initiated for the stage by Adrianne Lobel (Frog and Toad) and Francesca Zambello, the show is directed by Zambello (Disney’s The Little Mermaid), with music by Academy Award® winner Rachel Portman (Emma), lyrics by Donna di Novelli and a book by Tony Award® winner Rachel Sheinkin (The 25TH Annual Putnam County Spelling Bee). Michele Lynch is choreographer and Kevin Stites is musical supervisor.
The producers of LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL are Ben Sprecher, Amy Sprecher, Louise Forlenza, Bob Boyett, Jay Harris, William Franzblau, Tony Fusco, Larry Feinman, Peter W. Bezemes, Friendly Theatrical LLC, Jon B. Platt, Wendy Federman, Michael Filerman, Marc Schwartz, Karl Sydow and Nelle Nugent, in association with Bob Reich and Sharon Carr.
The production includes scenic design by Adrianne Lobel, lighting design by Mark McCullough, costumes by Tony Award winner Jess Goldstein, sound design by Carl Casella and wig/hair design by Charles LaPointe. Richard Carsey serves as music director, orchestrations are by Larry Hochman and dance and incidental music arrangements are by Michael Dansicker, with additional vocal and incidental music by Kevin Stites.
LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL is the uplifting story of an American family forging a new life amidst the mighty challenges, heartbreaks, joys and triumphs that face them in the newly-settled heartland. It is also the story of young Laura Ingalls, as she begins her life as a young woman, finding purpose, and finding love. Above all, it is the celebration of the pioneering spirit and the core values on which this country was founded – a spirit that still resonates today.
LITTLE HOUSE ON THE PRAIRIE, THE MUSICAL will play the Fabulous Fox Theatre in Atlanta from June 15-20, 2010. Performances are Tuesday-Friday at 8 pm, Saturday at 2 pm & 8 pm, and Sunday at 1:30 pm & 7 pm. Tickets are on sale NOW at all Ticketmaster outlets, at 800-982-2787 and online at www.ticketmaster.com. Ticket prices range from $25-$65. Special group rates are available through the Fox Group Sales Dept. at 404-881-2000.
Theater of the Stars celebrates its 58th Anniversary as one of the nation’s premier regional theater companies. A civic not-for-profit cultural treasure, Theater of the Stars is dedicated to presenting and producing the best in musical theater. To learn more about our history of excellence, visit www.theaterofthestars.com.
Here are bios for the principal cast and creative team:
MELISSA GILBERT (Caroline “Ma” Ingalls) Theatre: Off-Broadway: A Shayna Maidel (Outer Critics Circle and Theatre World Awards); Regional: Love Letters (Canon Theater, LA); The Glass Menagerie (Chautauqua Theater Company); The Miracle Worker (Royal Poinciana Playhouse, Palm Beach); Bus Stop and Love Letters (Univ. of Tennessee, Knoxville); Little House on the Prairie, the Musical (Guthrie). Television: Series lead in “Little House on the Prairie,” starred in more than 40 movies for television, including Emmy Award-winning The Miracle Worker, and more than a dozen television series, including “Nip/Tuck,” and “Sweet Justice.” Ms. Gilbert served as President of the Screen Actors Guild from 2001–05, and is currently the Standing Board Chair and Spokesperson for the Children’s Hospice and Palliative Care Coalition. Ms. Gilbert is also a New York Times best-selling author with the recent publication of her autobiography, Prairie Tale - A Memoir, from Simon & Schuster.
STEVE BLANCHARD (Charles “Pa” Ingalls). Broadway: Beauty and the Beast, Camelot, A Christmas Carol, The Three Musketeers; Off-Broadway: Frankenstein, Johnny Guitar, An Oak Tree; National tours: Camelot, Phantom of the Opera, A Funny Thing Happened on the Way to the Forum; Repertory Theatre of St. Louis: Esmeralda; Baltimore’s CenterStage: Sleep of Reason; Charles Playhouse, Boston: The Threepenny Opera; Ford’s Theatre, Washington, D.C.: Hot Mikado, Godspell; Guthrie: Little House on the Prairie, the Musical; Paper Mill Playhouse: Chess; Theatre Under The Stars, Houston: Chess. Film/Television Law at Randado, Rapmaser Ronnie, Warlords 3000, “Third Watch,” “Law and Order,” “Ed,” “Police Story,” “Sunset Beat,” “One Life to Live,” “Guiding Light,” “Another World.”Original cast recordings Johnny Guitar, Sundown, Frankenstein; debut solo CD Northbound Train
KARA LINDSAY (Laura Ingalls). Theatre: Denver Center for the Performing Arts: Quilters; Guthrie: Little House on the Prairie, the Musical; 5th Avenue Theatre, Seattle: Lone Star Love; West Virginia Public Theatre:Thoroughly Modern Millie, Beauty and the Beast, Cats, Hello, Dolly!; Carnegie Mellon University: Side Show, After Miss Julie, Hello Again, Oresteia. Training B.F.A., Acting/Musical Theater, Carnegie Mellon University
FRANCESCA ZAMBELLO (Director). Theatre Broadway: Disney’s The Little Mermaid; London: Royal Albert Hall: Showboat; West End: Napoleon; Raimund Theater, Vienna: a new musical based on Rebecca; Seattle Children’s Theatre: Tibet Through the Red Box; Bregenz’s floating stage: West Side Story; Guthrie: Little House on the Prairie, the Musical. Old Globe: First Wives Club, Skylight Music Theater: artistic director, 1984-91; Opera: Metropolitan Opera: An American Tragedy (world premiere), Cyrano de Bergerac (with Placido Domingo), Les Troyens; Teatro alla Scala: Cyrano; Washington National and San Francisco Operas: The Ring, San Francisco Opera: artistic advisor; Royal Albert Hall: La Bohème; The Bolshoi: Fiery Angel; Chicago Lyric Opera: Salome; Royal Opera House: Carmen, Don Giovanni; Paris Opera: Boris Godunov, War and Peace, Billy Budd, William Tell; Film War and Peace (ORF), Amahl and the Night Visitors (BBC), The Little Prince (BBC/PBS). Awards: Three Olivier Awards; two Evening Standard Awards for best musical and best opera; two French Grand Prix des Critiques; Japanese Golden Prize; Helpmann Award; Chevalier des Arts et des Lettres; Russian Federation’s medal for Service to Culture; the Palme d’Or in Germany; the Golden Mask in Russia. Education: Colgate University; Moscow University. www.francescazambello.com
RACHEL PORTMAN (Music). Theatre: Little House on the Prairie, the Musical. Film: Grey Gardens, The Duchess, Emma, The Cider House Rules, Chocolat, Infamous, The Manchurian Candidate, Oliver Twist, The Lake House, Nicholas Nickleby, Hart’s War, The Human Stain, Life is Sweet, The Legend of Bagger Vance, Beloved, Home Fries, Addicted to Love, Marvin’s Room, Only You, The Road to Wellville, Sirens, Benny & Joon, The Joy Luck Club, Used People, Smoke, To Wong Foo, Thanks for Everything, Julie Newmar, Where Angels Fear to Tread. Opera/concert: The Little Prince, The Water Diviner’s Tale. Awards: Academy Award for Best Original Score for Emma; Academy Award nominations for The Cider House Rules and Chocolat; British Film Institute’s Young Composer of the Year Award.
DONNA DI NOVELLI (Lyrics). Musical Theater/Opera: Little House on the Prairie, the Musical (lyrics); Florida (book and lyrics) Lyric Opera Cleveland, Public Theater’s New Work Now, New York City Opera’s VOX; No God but Yearning (book and lyrics) Public Theater’s New Work Now, Joe’s Pub. Theater: The First Eff (stage play) Mark Taper Forum, Duende Arts. Dance: Twelve Dancing Princesses (text) Los Angeles Modern Dance and Ballet. Commissions: San Francisco Opera; Chanticleer; BBC. Publications New Monologues For Women by Women (Heinemann Press), NuMuse, Brown University. Awards: Manhattan Theatre Club Fellowship, Rockefeller Foundation residency in Bellagio, Italy; National Musical Theater Conference residency, the Mac Dowell Colony and the Atlantic Center for the Arts. Professional Affiliations: ASCAP, Dramatists Guild. Teaching: Bookwriting, Graduate Musical Theater Writing Program at NYU Tisch School of the Arts; Playwriting, National Theater Institute, Eugene O’Neill Theater Center; Visiting professor, Brown University. Training: M.F.A., Graduate Musical Theater Writing Program at NYU Tisch School of the Arts (Ira Gershwin Fellow); A.M., Brown University.
RACHEL SHEINKIN (Book) Recent work includes Broadway: The 25th Annual Putnam County Spelling Bee (Tony, Drama Desk awards); Off Broadway: Striking 12 (Lucille Lortel nomination), off-off: Serenade. Regional: Guthrie, Little House on the Prairie, the Musical; Center Theater Group, Sleeping Beauty Wakes (Los Angeles Ovation Award); London: Blood Drive. Residencies, fellowships, commissions include: Eugene O’Neill National Theater Center, Baryshnikov Dance Foundation, MacDowell Colony, Manhattan Theatre Club, Deaf West, McCarter Theatre, Playwrights Horizons. Rachel is a volunteer mentor for TDF’s Open Doors program, a visiting instructor at Yale School of Drama, and adjunct faculty member of NYU’s Graduate Musical Theater Writing Program.
MICHELE LYNCH (Choreographer). Paper Mill Playhouse: Happy Days. Broadway: The Coast of Utopia (Choreographer), Hairspray and The Full Monty (Associate Choreographer), Urinetown (Asst. Choreographer). Off-Broadway: Everyday Rapture (Second Stage), NYMF: Idaho; Yale Rep: Rough Crossing; Guthrie: Little House on the Prairie; Asolo Theatre: Pride & Prejudice; Mark Taper Forum: 13; St Louis MUNY: Breakfast at Tiffany’s; Stanford Center for the Arts: Empire; North Carolina Theatre: South Pacific; Ford Center: Leading Ladies; has traveled around the world setting companies of Hairspray and The Full Monty. Film: CAMP. Awards: Connecticut Critics Circle Award for Happy Days at Goodspeed Opera House; Garland Award for 13.
KEVIN STITES (Music Supervision, Additional Vocals, Incidental Music). Broadway: Tale of Two Cities, Color Purple, Titanic, Sunset Boulevard, Pamela’s First Musical, Children and Art, Les Misérables, Threepenny Opera, Fiddler, Nine, Oklahoma!, On the Town. National tours: Color Purple, Martin Guerre, Miss Saigon, Phantom of the Opera, Les Miserables, Titanic. Guest conductor: Grant Park Symphony, Guys and Dolls and Les Miserables at Hollywood Bowl. TV/Film: “Rosie Live,” Reefer Madness and others.
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Forget the smart phone, in the latest episode of his "76-Second Travel Show," Lonely Planet editor Robert Reid uses a Monopoly board to navigate his way around Atlantic City. The Parker Brothers' game was based on this historic New Jersey town, and as Reid discovers, many of the places still exist today. The video, a bit longer than the titular 76 seconds, is worth a look, particularly the moment when he attempts to buy a hotel on St. James Place for "100 dollars plus four houses." [Huffington Post]
$10 Million Elk Visitor Center Opens in PennsylvaniaBy IT Blog, October 6, 2010 4:40 PM | Comments (1) A new visitor's center and lodge in central Pennsylvania lets the intrepid traveler see the state's elk population up close. Adam H. Graham left the comforts of Brooklyn to see it for himself. 
Though Pennsylvania's environmental headlines have lately been dominated by natural gas fracking in the Marcellus Shale, a handsome new $10 million Gold LEED-certified Elk Center quietly opened on September 9 in Benezette, Pennsylvania, on the edge of the fossil fuel-rich Allegheny National Forest, and just five-hours from my Brooklyn apartment. In its first week, the center saw over 10,000 visitors, its gift shop was depleted of merchandise, and it attracted over 100 new members to the Keystone Elk Country Alliance, who operate the facility with the Pennsylvania Department of Conservation and Natural Resources. 
Pennsylvania has the only elk population on the east coast, and all 700 of them are contained within an 800 square mile range in the Pennsylvania Wilds, stretching over hilly second growth forests from Treasure Lake to the township of Lumber. "We're lucky this site was never strip-mined," Cogan explains to a few local farmers riding in our wagon, revealing the state's checkered environmental past. A century ago, Pennsylvania had clear-cut much of its forests and over 100 species had been extirpated from the state, including panthers, wolves, beavers, and elk. The story, often referred to as the 1760 massacre, is explained in vivid detail in Henry W. Shoemaker's 1917 classic Extinct Pennsylvania Animals. 
During a recent visit to Japan, I had a chance to explore a side of Tokyo that was quite different from the one I saw when I was last in the city with my family almost two years ago. Before the trip, I came across a magazine article about a new trend in Tokyo that's grown out of the Japanese subculture obsessed with video games, manga, and anime characters. Eccentric themed restaurants called Maid Cafés were sprouting up all over the city and throughout the country to give these Otaku die-hards a place to hang out, and I was curious to see what all the buzz was about.
After getting a seat in front of a small stage and placing my order, I began to feel a little awkward. The decor made it appear as though I walked into a pre-teen birthday party, but there were no kids in sight. Instead, there were a few middle-aged men and a couple of twenty-something girls performing song duets and getting Polaroids taken with the maids for 500 yen (about $6) a pop. Feeling somewhat obligated to play along, I opted for a round of Crocodile Dentist with one of the maids, a game I last shared with my sons when they were preschoolers.